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cathy hayes

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PICKING UP THE PIECES

July 01, 2023

A collaborative sharing of truths, laughter, experience and ideas.

Picking up the Pieces

...a three woman show about (im)perfection.

This work is concerned with a collective pressure to avoid failure, in all its guises. As women, mothers, artists and humans, we struggle to reach societal perfection. Despite our efforts we still fall short of the excellence we are expected to achieve. We have become objects

of criticism, corrected, fixed and improved, in other words; failing.

The media’s ongoing fixation on women’s appearances and corresponding ‘value’, holds a power over us. The unobtainable images and goals, illogical and tantalizing.

By focusing on the significance of the evening meal, the rituals, apparatus and symbolism surrounding it, we have adopted the china-dinner service as symbolic of this unattainable excellence. Applying the philosophy of Kintsugi, we transform the dinner service into unconventional and compelling objects with cracks and scars, in a practice of acceptance, a celebration and an embrace of the imperfect.

Breaking and re-making, we explore our collective angst at the ongoing and repetitive burden of domestic perfectionism. This becomes cathartic, representing a path to appreciating ‘mended’ things and a recognition of the power of the imperfect and the scar.

Working with installation, film and paint we have created the imperfect dinner table, symbol- ic of the thousands of breaks and remakes in all of our lives. An acceptance of ourselves and our own imperfections.


Darina Meagher, Cathy O’Reilly Hayes, Ann Marie Webb

OPENING NIGHT
THURSDAY 13 JULY 2023, 6 - 8 PM

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PICKING UP THE PIECES
July 1, 2023
PICKING UP THE PIECES
July 1, 2023

Breaking and re-making, we explore our collective angst at the ongoing and repetitive burden of domestic perfectionism. This becomes cathartic, representing a path to appreciating ‘mended’ things and a recognition of the power of the imperfect and the scar.

Working with installation, film and paint we have created the imperfect dinner table, symbol- ic of the thousands of breaks and remakes in all of our lives. An acceptance of ourselves and our own imperfections

Read more →
July 1, 2023
Upcoming Exhibition: Mud, For You
March 20, 2023
Upcoming Exhibition: Mud, For You
March 20, 2023

I am pleased to announce that my work ‘The Bearded Iris’, will be exhibited as part of the group show ‘MUD, FOR YOU’ at The Fitzrovia Gallery in London, from the 28/03 - 2/04.

There will be a private view on the 31/03 at 6pm.
You reserve tickets here: MUD, FOR YOU

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March 20, 2023
Forces of Inspirations..
March 20, 2023
Forces of Inspirations..
March 20, 2023

The shared exchanges that we have with others are valuable snippets of inspiration, motivation and camaraderie…

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March 20, 2023
Celebrating St. Brigid, Ireland's Celtic Goddess
February 5, 2023
Celebrating St. Brigid, Ireland's Celtic Goddess
February 5, 2023

With this is mind, I see it as positive progress that St. Brigit is now officially marked in Ireland, thanks to Herstory’s continued pressure and the drive to illuminate the joyous celebration of all Mná (women), our Celtic Goddess, Marton Saint and Imbolc, as well as the ancient festival of Spring.

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February 5, 2023
PIETA IN METAVERSE listed for the JACKSON'S PRIZE 2022
March 28, 2022
PIETA IN METAVERSE listed for the JACKSON'S PRIZE 2022
March 28, 2022
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March 28, 2022
PICKING UP THE PIECES, ‘The Imperfect Art Collaborative’
March 24, 2022
PICKING UP THE PIECES, ‘The Imperfect Art Collaborative’
March 24, 2022

From the homicidal bitchin'
That goes down in every kitchen
To determine who will serve and who will eat
From the wells of disappointment
Where the women kneel to pray
For the grace of God in the desert here
And the desert far away

Excerpt from ‘Democracy’ Leonard Cohen, 1992

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March 24, 2022
DARK TALES OF PAST, PRESENT & FUTURE
February 11, 2022
DARK TALES OF PAST, PRESENT & FUTURE
February 11, 2022

The installation is influenced by the jewel-like quality of eastern miniature paintings. The work is a growing entity, a work in progress that may become more sculptural as I continue to unpick old stories. My inspiration so far has came from the works of the Baroque Masters, Artemisia Gentileschi and Elisabetta Sirani, alongside that of contemporary women artists such as Paula Rego and Alice Maher.

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February 11, 2022
Phoebe’s Hand after The Rape of the Daughters’ of Leucippus by Rubens, 1618
November 5, 2021
Phoebe’s Hand after The Rape of the Daughters’ of Leucippus by Rubens, 1618
November 5, 2021

I use the power of colour as a tool, not only to cover up this story but to eviscerate it, to burn it away. The colours seep and pour and through that process they singe the story. All I leave is the hand of Phoebe, letting us see her feeble struggle while the horses hooves rear up over her in blackness. This process of unlearning is not a comfortable one.

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November 5, 2021
SUBJECT TO CHANGE and THE PIETA SERIES
October 20, 2021
SUBJECT TO CHANGE and THE PIETA SERIES
October 20, 2021

‘Subject to Change’ brings together the work of seven emerging international artists responding to our ever changing political and physical environment where identities and the politics of memory keep being renegotiated.With social and political volatility heightened, this exhibition by a group of Postgraduate alumni from Camberwell College of Arts pertinently questions the symbolic capital attached to established cultural myths, interrogates the on-going struggles in contemporary geopolitics and de-constructs the embodiment of gender and identity.

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October 20, 2021
COVID WARRIOR and CARES OF THE WORLD
October 19, 2021
COVID WARRIOR and CARES OF THE WORLD
October 19, 2021

The first, ‘Covid Warrior’, was inspired by a recent fashion campaign; each model on the catwalk carried another woman either draped on her shoulders or wrapped around her waist. This show of solidarity contrasts starkly with the solitary figure in the second painting, 'Cares of the World'.

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October 19, 2021